The 8-day film extravaganza reached its 4 Day milestone,
offering film lovers an uninterrupted entertainment mix of world cinema,
regional films, master classes and a chance to personally interact with some
industry stalwarts.
The Festival's key venue Chandan Cinema opened with two
French films back to back, Pierre Salvadori’s comedy-drama ‘In The Courtyard’
and one of the most successful films of its time ‘The Last Metro’, an award
winning romantic drama starring Catherine Deneuve. The lineup showcased films
from across the globe and brought under
one roof, Chadi Abdel Salam’s 1969 film considered as the most important
Egyptian film ever made, ‘The Mummy’, Kim ki-Duk’s Korean thriller ‘One on One’
and Xavier Dolan’s Canadian family drama ‘Mommy’.
Cine goers at PVR Andheri were equally elated with the film
fiesta. Danish film ‘Mission Rape - A Tool of War’ directed by Annette Mari
Olsen and Katia Forbert Petersen left audiences spellbound and in a state of
shock, as did Gabe Polsky’s much talked about feature documentary ‘Red Army’.
Other films which were loved by audiences included Attila Szász’s Hungarian
political thriller ‘The Ambassador To Bern’, Levent Çetin’s Turkish film
‘Civilian’ in Above The Cut category; and Lesley Manning’s British collection
of captivating narratives ‘Honeycomb Lodge’ in the Film India Worldwide
segment.
Proving to be the place to be for viewing the best of world
cinema, the venue also showcased Ronit Elkabetz’s and Shlomi Elkabetz’s Gett’s
Israeli-French drama film ‘The Trial of Viviane Amsalem’, American documentary
‘The 50 Year Argument’ directed by Martin Scorsese and David Tedeschi, Maxime
Giroux’s unusual Canadian romantic drama ‘Felix and Meira’, a powerful
Chinese-French drama ‘Blind Massage’ directed by Lou Ye, Elia Kazan’s 1954
Marlon Brando starrer ‘On the Waterfront’, Adriano Mendes’ debut Portuguese
film ‘The First Summer’ and Jean-Pierre and Luc Dardenne’s gripping social
drama ‘Two Days, One Night’.
Vidhu Vinod Chopra, Anil Kapoor & Jackie Shroff discussing on 'Parinda' while Nana Patekar was missing without whom Parinda is incomplete |
Recreating the magic of Day 3, PVR also delighted the film
lovers who had missed out on films like the French comedy ‘Weekends in
Normandy’, Bengali mystery-drama ‘Teenkahon’,
‘Corn Island’, contemporary Iranian film ‘Snow’, 1975 Russian film ‘They
Fought for Their Land’, ‘Queen Antigone’, American realist drama ‘The Good Lie’
and the two Greek dramas, ‘Playing with Fire’ and ‘Stratos’. The spree of
spectacular cinema continued further with Alonso Ruizpalacios’s Mexican road
movie ‘Güeros’, Sofia Norlin’s Swedish teen-centric drama ‘Broken Hill Blues’,
Vivek Agnihotri’ Hindi thriller ‘Buddha In a Traffic Jam’ and Aditya Vikram
Sengupta’s debut Bengali film ‘Labour Of Love’ spread across the two
competitive segments, International Competition and India Gold 2014.
For those who rushed to the Versova multiplex were equally
enchanted with an unlimited spell of films, entertainment and more. Films from
the World Cinema category opened the day across Cinemax’s four screens -
Dietrich Brüggemann’s German film ‘Stations of the Cross’, Argentinean
captivating family drama ‘The Third Side of the River’ directed by Celina
Murga, Takashi Miike’s Japanese supernatural horror film ‘Over Your Dead Body’
and Feo Aladag’s German film ‘Inbetween Worlds’ set during the World War I.
The day did not cease to enthrall audiences, as they
witnessed an enlightening session with Anurag Kashyap in conversation with
acclaimed film maker Vinod Chopra in the Film Companion Roundtable. Since the
film enthusiasts were yearning for more Vidhu Chopra magic, Anurag Kashyap
presented them the 1989 crime drama ‘Parinda’ under the Film Companion
Director’s Choice segment. Keeping the Director’s choice in vogue came Rajkumar
Hirani and presented his personal favorite, the iconic 1971 film‘Anand’
directed by the master story teller of Indian cinema, Hrishikesh Mukherjee.
Day 4 afternoon was loaded with an enormous engagement and
learning opportunity for over 100 Indian screenwriters when Anjum Rajabali, the
Convenor of the Mumbai Mantra CineRise Screenwriting Programme brought together
an expert panel of film makers comprising Vishal Bhardwaj, Rakeysh Omprakash
Mehra, Vikramaditya Motwane, Shridhar Raghavan and Sriram Raghavan who
deliberated on ‘Why is there such a dearth of good scripts in India?’ The
session unveiled some valuable takeaways for aspiring screen writers.
Shriram Raghavan, Shridhar Raghavan, Vishal Bharadwaj, Anjum Rajabali, Rakeysh Omprakash Mishra & Vikramaditya Motwane... |
Music Composer’s Lab in its 2nd edition at the festival added a new dimension to the cinematic
bonanza of day 4. Held at the Whistling Woods’s The Andheri Base , a series of
informative musical seminars under ‘Film Music: The Creative and the Business’
theme spanned various sides of film music. This one of its kind initiative came
into being last year as UK based composer and producer Andrew T. Mackay’s brain
child for the 15th Mumbai Film Festival. Aimed at music composers, engineers,
producers and directors as well as delegates and filmmakers, the Music
Composers Lab presented by Bohemia Junction Limited and Abbey Road Studios in
association with PRS for Music, UK and supported by BMI and FAMES Project with
further support from Whistling Woods, brought out various nuances of film
music.
Celebrities spotted on Day 4 included Adil Hussain, Tisca
Chopra, Satish Kaushik, Richa Chadda among others. Mumbai Film Festival on its
Day 4 floored Mumbai’s cine goers and gave them a reason to throng in large
numbers to the three cinemas for a weekend full of films and fun.
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